‘Whom Music's lore delighteth’: words-and-music in Byrd's Ye sacred Muses
Identifieur interne : 000179 ( Main/Exploration ); précédent : 000178; suivant : 000180‘Whom Music's lore delighteth’: words-and-music in Byrd's Ye sacred Muses
Auteurs : Mike SmithSource :
- Early Music [ 0306-1078 ] ; 2003.
English descriptors
- Entity :
- org : University of Colorado, University of Kentucky This.
- pers : A. Brown, B. Wilson, Brett, C. Monson, C. S. Lewis, D. Cooke, D. Pesce, D. Wulstan, Dent, Doughtie, E. H. Fellowes, Edward Doughtier, H. Hadow, I. A. Winn, Ian Partridge, J. Harley, J. Stevens, James Bowman, Jeremy L. Smith, Jeremy Smith, John Case, John Stevens, Jonathan Clixon, Joseph Kerman, Kerman, King Edward, L. Dreyfus, Laurence Dreyfus, M. Smith, M. W. Booth, Mike Smith, Muses, Oliver Neighbour, P. Brett, P. Le Huray, P. Phillips, Paul McNulty, Philip Brett, Philip Larkin, R. Turbet, Richard Mico, S. Ratdiffe, Stevens, Thomas Talk, Thomas Tallis, Tom Perridge, William Byrd.
- place : Boston, Cambridge, Czech Republic, England, MA, Venice.
- Teeft :
- August, Brett, Byrd, Byrd edition, Byrd song, Byrd study, Chapel royal, Consort, Consort song, Doughtie, Early music august, Early tudor court, Elizabethan madrigal, English consort song, English madrigal, English renaissance song, Jacobean consort music, John stevens, Joseph kerman, Kerman, Keyboard music, Less distinctive, Liner note, Lore delighteth, Main subject, Middle age, Musical interest, Philip brett, Rhetorical, Rhetorical effect, Royal musical association, Viol, Vocal part, Vocal phrase, Vocal statement, William byrd.
Url:
DOI: 10.1093/earlyj/XXXI.3.425
Affiliations:
Links toward previous steps (curation, corpus...)
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title>‘Whom Music's lore delighteth’: words-and-music in Byrd's Ye sacred Muses</title>
<author wicri:is="90%"><name sortKey="Smith, Mike" sort="Smith, Mike" uniqKey="Smith M" first="Mike" last="Smith">Mike Smith</name>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">ISTEX</idno>
<idno type="RBID">ISTEX:EF7824C8C8E6FDAE456B55FA9BC0B9700A21AFD1</idno>
<date when="2003" year="2003">2003</date>
<idno type="doi">10.1093/earlyj/XXXI.3.425</idno>
<idno type="url">https://api.istex.fr/ark:/67375/HXZ-ZWP09L00-P/fulltext.pdf</idno>
<idno type="wicri:Area/Main/Corpus">000017</idno>
<idno type="wicri:explorRef" wicri:stream="Main" wicri:step="Corpus" wicri:corpus="ISTEX">000017</idno>
<idno type="wicri:Area/Main/Curation">000017</idno>
<idno type="wicri:Area/Main/Exploration">000179</idno>
<idno type="wicri:explorRef" wicri:stream="Main" wicri:step="Exploration">000179</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title level="a" type="main">‘Whom Music's lore delighteth’: words-and-music in Byrd's <hi rend="italic">Ye sacred Muses</hi>
</title>
<author wicri:is="90%"><name sortKey="Smith, Mike" sort="Smith, Mike" uniqKey="Smith M" first="Mike" last="Smith">Mike Smith</name>
</author>
</analytic>
<monogr></monogr>
<series><title level="j" type="main">Early Music</title>
<idno type="eISSN">1741-7260</idno>
<idno type="ISSN">0306-1078</idno>
<imprint><publisher>Oxford University Press</publisher>
<date type="published">2003</date>
<biblScope unit="vol">XXXI</biblScope>
<biblScope unit="issue">3</biblScope>
<biblScope unit="page" from="425">425</biblScope>
<biblScope unit="page" to="436">436</biblScope>
</imprint>
<idno type="ISSN">0306-1078</idno>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><idno type="ISSN">0306-1078</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass><keywords scheme="Entity" type="org" xml:lang="en"><term>University of Colorado</term>
<term>University of Kentucky This</term>
</keywords>
<keywords scheme="Entity" type="pers" xml:lang="en"><term>A. Brown</term>
<term>B. Wilson</term>
<term>Brett</term>
<term>C. Monson</term>
<term>C. S. Lewis</term>
<term>D. Cooke</term>
<term>D. Pesce</term>
<term>D. Wulstan</term>
<term>Dent</term>
<term>Doughtie</term>
<term>E. H. Fellowes</term>
<term>Edward Doughtier</term>
<term>H. Hadow</term>
<term>I. A. Winn</term>
<term>Ian Partridge</term>
<term>J. Harley</term>
<term>J. Stevens</term>
<term>James Bowman</term>
<term>Jeremy L. Smith</term>
<term>Jeremy Smith</term>
<term>John Case</term>
<term>John Stevens</term>
<term>Jonathan Clixon</term>
<term>Joseph Kerman</term>
<term>Kerman</term>
<term>King Edward</term>
<term>L. Dreyfus</term>
<term>Laurence Dreyfus</term>
<term>M. Smith</term>
<term>M. W. Booth</term>
<term>Mike Smith</term>
<term>Muses</term>
<term>Oliver Neighbour</term>
<term>P. Brett</term>
<term>P. Le Huray</term>
<term>P. Phillips</term>
<term>Paul McNulty</term>
<term>Philip Brett</term>
<term>Philip Larkin</term>
<term>R. Turbet</term>
<term>Richard Mico</term>
<term>S. Ratdiffe</term>
<term>Stevens</term>
<term>Thomas Talk</term>
<term>Thomas Tallis</term>
<term>Tom Perridge</term>
<term>William Byrd</term>
</keywords>
<keywords scheme="Entity" type="place" xml:lang="en"><term>Boston</term>
<term>Cambridge</term>
<term>Czech Republic</term>
<term>England</term>
<term>MA</term>
<term>Venice</term>
</keywords>
<keywords scheme="Teeft" xml:lang="en"><term>August</term>
<term>Brett</term>
<term>Byrd</term>
<term>Byrd edition</term>
<term>Byrd song</term>
<term>Byrd study</term>
<term>Chapel royal</term>
<term>Consort</term>
<term>Consort song</term>
<term>Doughtie</term>
<term>Early music august</term>
<term>Early tudor court</term>
<term>Elizabethan madrigal</term>
<term>English consort song</term>
<term>English madrigal</term>
<term>English renaissance song</term>
<term>Jacobean consort music</term>
<term>John stevens</term>
<term>Joseph kerman</term>
<term>Kerman</term>
<term>Keyboard music</term>
<term>Less distinctive</term>
<term>Liner note</term>
<term>Lore delighteth</term>
<term>Main subject</term>
<term>Middle age</term>
<term>Musical interest</term>
<term>Philip brett</term>
<term>Rhetorical</term>
<term>Rhetorical effect</term>
<term>Royal musical association</term>
<term>Viol</term>
<term>Vocal part</term>
<term>Vocal phrase</term>
<term>Vocal statement</term>
<term>William byrd</term>
</keywords>
</textClass>
<langUsage><language ident="en">en</language>
</langUsage>
</profileDesc>
</teiHeader>
</TEI>
<affiliations><list></list>
<tree><noCountry><name sortKey="Smith, Mike" sort="Smith, Mike" uniqKey="Smith M" first="Mike" last="Smith">Mike Smith</name>
</noCountry>
</tree>
</affiliations>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/WilliamByrdV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000179 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000179 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= WilliamByrdV1 |flux= Main |étape= Exploration |type= RBID |clé= ISTEX:EF7824C8C8E6FDAE456B55FA9BC0B9700A21AFD1 |texte= ‘Whom Music's lore delighteth’: words-and-music in Byrd's Ye sacred Muses }}
This area was generated with Dilib version V0.6.38. |